‘Urban Xmas’ photo shoot

Back in my home town in Italy for a few days, I hooked up with old school friend and photographer Riccardo Lancia.

We drove around town, our main goal being catching up, after years of not seeing each other.

It was a beautiful, crisp winter morning and so we ended up dropping some layers off to play outside.

What came out was a totally impromptu and absolutely fun shoot – a proof that good friendships are hard to die, even with years of distance in between.

All photographs by Riccardo Lancia. You can find more lovely shots on my Flickr.

‘The 5 Gold Rings’ photo shoot for the National Centre for Circus Arts

Over the Christmas period I collaborated with the amazing Bertil Nilsson to create some images for the National Centre for Circus Arts.

The theme for the photo shoot was the ‘5 Gold Rings of Christmas’ and consequently, there was a lot of spinning involved.

 

Silvia vs The Great Eastern Bear

When I took two of my best friends to play up on a roof in East London. Photos by Jon Green, set and ‘behind the scene’ photos by Thomas Forsyth.

Glastonbury Festival 2014

Despite the weather and extreme survival conditions, Glastonbury is always amazing.

This year, however, was particularly exciting as I got to perform not only ‘Atma’, but also 2 of my most recent hoop acts.

‘Black Out Days’ was specifically devised for the Circus Big Top and, although it was presented as work in progress, it received very positive feedback.

The greatest surprise of this year’s festival, however, was that I got asked to perform at the BBC Studio as part of their Friday Night Highlights, directly from the channel’s stage at the Park. This was an excellent and fun opportunity to show my ‘Great Gatsby’ inspired piece ‘Jazzy Daisy’, which went down a storm.

After all that excitement, keeping it up rehearsing and performing for almost 24 hours, after dragging your hoops all day around miles of muddy fields, what do you do when at Glasto?

I don’t know about you, but I go and dance my heart out until sunrise, at the jaws of a gigantic, fire spitting and laser shooting spider. That is why I love it so much in the field: it never stops feeding you its magic insanity.

 

 

The Act, Dubai

After becoming a regular performer at The Box, London, I had the pleasure to go and spin my hoops at its Dubai partner club, The Act – the highest theatre venue in the world.

Located on the 42nd and 43rd floor of the Shangri-la Hotel, The Act is a very refreshing antidote to Dubai’s sometimes dry entertainment and nightclub scenes.

It was certainly a fantastic experience being part of one of the most exciting shows in the Middle East.

The Jarvis Party

Jarvis Cocker LOVES hua hoops – FACT.

After jamming with him at the Village Underground in 2009, as part of his 3-day ‘Exhibition of himself’, I had the absolute pleasure to perform for the very wonderful Jarvis Cocker’s 50th birthday party.

Jarvis personally asked me to perform to Krafterk’s classic ‘Ruckzuck’, which was a great fun challenge, with the track’s dramatic changes in tempo.

After my show, Too many DJs kept us all dancing like crazy until the early hours.

What a great night, thank you very much Jarvis, you are a real gentleman.

Glastonbury Festival 2013

An even bigger, even better Circus Big Top was my home for a week at Glastonbury Festival 2013.

Once again, it was an absolute pleasure to share the stage with so many incredibly talented performers, coming from all over the world.

In fact, thanks also to what was probably the warmest English summer in years, this was definitely the best Glastonbury of my life.. for now! A million thanks to Jade and Shaun Dunbar for making it happen. You guys rock!

‘Gynoid’ Photoshoot

In ‘Gynoid’ I’m exploring movement and manipulation, as well as the relation between the machine and the human body, through hula hoops.

How is our body affected by the props and tools, that we use every day? If our body is the main tool, the machine, what can influence and radically transform its appearance and purpose?

All photos were taken by Jonathan Green, at Mowlem Studios, London. The following shot got us a feature on Hooping.org, the online hub for the worldwide hooping community.

You can watch the trailer for ‘Gynoid’ on my Vimeo page here.

Many thanks to Jonathan Green and Damian Pajak for doing such a great job and making it a  really good fun experience too.

‘OnOffice’ Magazine Feature

Anywhere can be an office.

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In September 2012, I collaborated with the talented Andrew Meredith, on a feature for OnOffice Magazine.

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OnOffice is a design magazine about workplace design, whether it is architecture, interiors or furniture. Every month they dedicate a piece to the more unusual workplaces and the people who use them. Whether a sky diving instructor or mountaineer shot in their given environment… The November issue portrayed a professional hula hoop dancer training at home, in her warehouse in North London.
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It was lovely and really good fun working with Andrew. I was also very pleased to be picked for an article that might make people think and consider how others go about their somewhat unorthodox jobs.
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Hoop manipulators

<p><a href=”http://vimeo.com/45277185″>Hoop Isolation – Lab : Time Experiments</a> from <a href=”http://vimeo.com/greenjon”>Jonathan Green</a> on <a href=”http://vimeo.com”>Vimeo</a>.</p>

This hoop isolation film is the result of a short period of research and development that was supported by the Circus Space and the funding from Lab:Time – experiments in circus. Francesca Martello and I wanted to explore the possibilities of circus, and specifically hoop manipulation, on film. We originally started our R&D together with Lynn Scott and Helen Orford, with the idea that the piece would be made for film and on location. However, when  Jackson’s Lane theatre gave Lab:Time winners the opportunity to perform their work in progress in a mixed bill of freshly created performances, we reoriented our focus towards creating a stage performance. I hope that we will be able to keep developing this work further, both for film and the stage. Special thanks to Jon Aaron Green, director and producer and Ben Green, editor of the film.