Silvia spins Magic

May 10, 2017

The last few years of my career wrapped into a power shell.
Many thanks to Cirque Bijou, John Bishop, everyone at Blue Peter, Henley Festival and the Box, London.
Cut and edited by the amazing Thomas Johansson (thomas-johansson.com/).
Cover photograph by Simon Yin (simonyinphotography.com/)
Soundtrack: LCD Soundsystem.

Teardrop

December 28, 2016

One of my highlights of 2016 was having the opportunity to collaborate with another hula hoop warrior – actually, one of the very first hula hoopers I ever met, years ago – the amazing Grace Billings.

Within one month of long distance rehearsals, we created a powerful LED hoop duo for a run of Christmas shows at Bloomsbury Big Top, London, as part of ‘Cirque Extraordinaire’.

Teardrop is a highly-skilled, sophisticated and sassy performance that combines dance and hula hooping with the latest, cutting-edge LED technology. Custom illuminating colours, patterns and graphics are delivered on stage in conjunction with seamless movements and choreography, to create an unforgettable, multi-dimensional visual experience.
Shot and cut by Thomas Johansson
Soundtrack by Massive Attack.

The new Hoops In Motion

July 23, 2016

Like an ever spinning wheel, life sets us a challenge when we least expect it, to test our courage and willingness to change…

‘Hoops In Motion’ is a wonderfully exciting journey, a piece of circus and visual arts, originally commissioned by John Bishop and further developed by Cirque Bijou and with support from the National Centre for Circus Arts.
Film by Thomas Johansson (thomas-johansson.com/)

Infinite gratitude to Julian Bracey, Howie Bailey and everyone at Cirque Bijou for trusting me with such a wonderful opportunity.

What are your taboos?

27222171260_b83cf7e9d0

This spring I literally threw myself into a wonderfully mad journey of self discovery with the world-renowned Gandini Juggling.

If you don’t know them yet, the Gandini’s are a company of ridiculously talented object manipulators, whose work has been reinventing and reinvigorating juggling over the past 20 years, whilst challenging people’s perceptions of contemporary circus all over the world.

26891171233_7e382a7b141

I joined them for a 5-day, French run of ‘Cløwns & Queens’, a beautifully brave and visceral show that comes with balls, plush penises, exchanges of bodily fluids and horizontal juggling.

‘Full of sex, but never sexy’, the show depicts a mad court full of queens and clowns, engaged in a ‘constantly shifting dance of desire’. With echoes of Stanley Kubrick, Pier Paolo Pasolini and Federico Fellini,’Cløwns & Queens’ explores the nature of lust and imbalanced power relationships in a brave cross over between circus, dance and performance art.

media_file_19

For me personally, this was an incredible opportunity to explore some of my own taboos, both as an individual and a performer. The risk of juggling on stage for the first time ever in my career, after only a few rehearsals with the company and the specific task of hula hooping without the shield of technical tricks were emotionally charged challenges that stripped me down to my most vulnerable… let alone the actual naked scene on the cold, white lit up tables.

The risk paid off. When life offers you the opportunity to manifest your feelings through work and by doing that, learn about yourself, that’s when the most exciting adventures are bound to happen.

Immense gratitude and big respect to Sean Gandini and Kati Ylä-Hokkala, Artistic Directors of Gandini Juggling, all the performers in the company and Le Maillon Theatre de Strasbourg , for adopting me onto this crazy journey.

 

A revamped version of my ‘Black Out Days’ LED hula hoop act, performed with latest technology smart LED hula hoops at Jackson’s Lane Theatre, London, 2015.

Filmed by Mark Morreau and Thomas Forsyth. Music by Phantogram.

I have always had a great interest in animation and mixed media, so when Cirque Bijou offered me to collaborate on a bespoke piece that mixed my hoops with Howie Bailey‘s visual graphics, I dived right into it.

The piece was commissioned as an intro to the John Bishop Show on BBC1, which made the whole project even more exciting.. and slightly nerve-racking.

We knew it was going to be hardcore and risky – we only had a few days to research and develop ideas and then put it all together into a live show for prime television.

Yet, despite the time and space constraints, we just went for it wholeheartedly, feeding off each other’s passion and inspiring each other through laughter and relatively appropriate doses of OCD.

The result was a wonderful work of circus and visual arts that I hope will lead to more opportunities for exploration and collaboration.

Massive thanks to Julian Bracey, director of Cirque Bijou, and Howie Bailey for being absolute legends. True gratitude and respect also for John Bishop and his crew and the BBC.

Now rock on!

More lovely photos on my Flickr.

I’m not sure if it was a coincidence or through word of mouth, but just before my multi-media performance on the John Bishop Show was released on the BBC, I was invited to hula hoop live on the Blue Peter show…

It was so last minute, everything literally happened within a few hours, and that included running from London to Manchester to live TV, whilst beating a tube strike, in true ninja style… BOOM, HOOP, BANG!

You bet I got a Blue Peter badge for that!

Many thanks to everyone at the BBC Bridge House Manchester, it was great fun!

Just as 2015 kicked in, I had the immense pleasure to work with top gentleman juggler Mat Ricardo and perform ‘Atma’ in his End of the world cabaret  at the Albany, London.

It was an ‘Apocalypse now’ sort of show, where the only thing left to do before the asteroid hit the earth, was to steep oneself in amazing acts of gravity-defying dexterity, laugh and be entertained by some of the greatest variety acts in London.

Did we get hit? Are we still alive now? One thing is for sure, I am still spinning like Saturn.

Glastonbury Festival 2014

August 1, 2014

Despite the weather and extreme survival conditions, Glastonbury is always amazing.

This year, however, was particularly exciting as I got to perform not only ‘Atma’, but also 2 of my most recent hoop acts.

‘Black Out Days’ was specifically devised for the Circus Big Top and, although it was presented as work in progress, it received very positive feedback.

The greatest surprise of this year’s festival, however, was that I got asked to perform at the BBC Studio as part of their Friday Night Highlights, directly from the channel’s stage at the Park. This was an excellent and fun opportunity to show my ‘Great Gatsby’ inspired piece ‘Jazzy Daisy’, which went down a storm.

After all that excitement, keeping it up rehearsing and performing for almost 24 hours, after dragging your hoops all day around miles of muddy fields, what do you do when at Glasto?

I don’t know about you, but I go and dance my heart out until sunrise, at the jaws of a gigantic, fire spitting and laser shooting spider. That is why I love it so much in the field: it never stops feeding you its magic insanity.

 

 

This time last year, I was around on the Southbank a lot, performing in Circus Maximus, as part of the Udderbelly Festival. Screen Shot Circus Maximus It was such a fun and intense month! My dear and awesome friend Jon Green came down to film me during the first Heat of the competition. So this is my ‘Atma’, 3 years later.