January 20, 2014
Together with the lovely Jessie Rose, I created a new glow hoop piece that we performed at the Bloomsbury Big Top as part of a series of Christmas shows, produced by Sorcha Ra, last December 2013.
This is a 1920’s, Great Gatsby inspired piece, set to a modern, fast paced and fun electro-swing soundtrack. Any type of audience will be dazzled by the charm and skills of these super cute ‘Flapper Girls’, dancing and spinning up to 8 fantastically bright LED hoops.
Photos taken by Jon Green and Jenny Dale. Costumes by Andie Scott.
December 10, 2013
After becoming a regular performer at The Box, London, I had the pleasure to go and spin my hoops at its Dubai partner club, The Act – the highest theatre venue in the world.
Located on the 42nd and 43rd floor of the Shangri-la Hotel, The Act is a very refreshing antidote to Dubai’s sometimes dry entertainment and nightclub scenes.
It was certainly a fantastic experience being part of one of the most exciting shows in the Middle East.
September 23, 2013
Jarvis Cocker LOVES hua hoops – FACT.
After jamming with him at the Village Underground in 2009, as part of his 3-day ‘Exhibition of himself’, I had the absolute pleasure to perform for the very wonderful Jarvis Cocker’s 50th birthday party.
After my show, Too many DJs kept us all dancing like crazy until the early hours.
What a great night, thank you very much Jarvis, you are a real gentleman.
July 31, 2013
May 2013, I was selected to perform in the first Heat of Circus Maximus, the UK’s first ever circus competition, being staged as part of the Udderbelly’s summer festival, and produced in collaboration with the Circus Space, London.
In preparation for the event, we were all invited to take part in the official photo shoot with the amazing Matilda Temperley.
The Evening Standard also came down to Hoxton square to shoot the future contestants and announce their names in a special feature.
A week later, some of the UK’s finest circus talents and I made our way into the iconic Purple Cow, on the Southbank, to start rehearsals for the first Heat of Circus Maximus.
Much to my surprise, I had already been there for a while…
First on to the stage was Sam Goodburn, who performed a dynamic juggling and unicycling act. “Goodburn is the only person ever to become both British Freestyle Unicycle and British Young Juggler of the Year”.
Second on was a revamped, reworked version of my ‘Atma’ hula hoop act, that got very good reviews from the general press.
“Hula hoop might seem a bit simple, however this act was amazing and had it all: style, musicality, tricks and dazzling movement. Pavone has a beautiful talent and with the hula hoops lighting up it is also a very pretty display” (www.backstagepass.biz)
“A mesmerizing hula hoop artist, whose fluidity, grace and seductive cool dazzled the audience” (www.lastminutetheatretickets.com)
“Silvia Pavone managed to create a swirling light show and perform tricks that made the hoops appear stationary, even as they rotated around her arms. It was a good few seconds before I realised they were spinning” (www.ayoungertheatre.com)
“Watch out! Here comes Hula Hoop Girlie, channelling Siouxsie Sioux’s haircut and scowl!” (www.thepublicreviews.com)
Jonathan Finch was up next with his impressive hand balancing act. “It was a very poetic performance, like an acrobatic ballet.”
The 4th act was Alcina Mendes or Maria the Cleaner, whose act was an infusion between clown, physical theatre and trapeze.
The final act of the night was Gemma Creasey on the aerial hoop. “Creasey is very talented, flying effortlessly through the air above the audience”.
July 12, 2013
An even bigger, even better Circus Big Top was my home for a week at Glastonbury Festival 2013.
Once again, it was an absolute pleasure to share the stage with so many incredibly talented performers, coming from all over the world.
In fact, thanks also to what was probably the warmest English summer in years, this was definitely the best Glastonbury of my life.. for now! A million thanks to Jade and Shaun Dunbar for making it happen. You guys rock!
In celebration of the 15th Petronas Malaysia Formula 1 Grand Prix, a series of galas, parties, competitions and fashion shows were held in Kuala Lumpur for the Mercedes – Benz Stylo Fashion Grand Prix 2013.
Stylo also presented its first ever public showcase at the Petronas Twin Towers @live concert.
It was the 3rd time that the Twin Towers @live concert was held in Malaysia and all 3 times it was organized in conjunction with the Formula One race happening at Sepang International Circuit.
This was a massive, 2 – days, public concert, that attracted more than 30.000 people and had an international line – up of artists coming from both east and west.
I had the great pleasure to entertain the crowd with my glow hula hoops, as part of an act that was directed by choreographer Pat Ibrahim, to the soundtrack of DJ Mario Schizo.
On the same night, artists such as South Korean boy band, U-KISS, and American pop star, Demi Lovato, were among the acts that took the stage at the free public show that went on from 5pm to 2am, despite the rain started to pour down during the night.
It was such a buzz performing for thousands of people on such a gorgeous stage! And an absolute pleasure working with all the team from London and the lovely staff from Kuala Lumpur, who welcomed and made us feel at home every day. This included talented make up artists, like Lin Chong, who did a wonderful job of my white cyborg character.
Thanks to Sydney Jo Jackson and STYLO international for making this happen. I am very much looking forward to the next one!
Stay tuned and find more lovely pics on my Flickr page.
January 1, 2013
How is our body affected by the props and tools, that we use every day? If our body is the main tool, the machine, what can influence and radically transform its appearance and purpose?
You can watch the trailer for ‘Gynoid’ on my Vimeo page here.
Many thanks to Jonathan Green and Damian Pajak for doing such a great job and making it a really good fun experience too.
December 5, 2012
“It is the unhappy marriage of physicality and mental instability that enables Box of Frogs to convey a visceral, memorable experience. While not a typically delightful tale, the generous range of performances ensures that the sheer joy of going to the circus is not abandoned.” From a review by Terri-Anne Teo for remotegoat.co.uk
In Autumn 2012, I continued the journey I started with Stumble danceCircus and toured the UK with the ensemble show ‘Box of Frogs’, directed by Mish Weaver.
We started at the Purcell Room at Queen Elizabeth Hall, Southbank Centre, London, which was an absolute pleasure and honour to be performing at.
The tour continued and we performed in:
Preston (Preston Guild Festival in Expo Tent)
Devon (The Landmark, Ilfracombe)
Stockton-on Tees (ARC, Stockton Arts Centre)
Leeds (The Carriageworks)
Scotland (Eastwood Park Theatre, Giffnock)
“Box of Frogs is a circus show with a difference. 5 acrobats and 2 musicians play with the audience’s expectations from their own perspective of mental ill-health and performance, against a back drop of filmic illusions.”
Based on an exploration of Mish Weaver’s personal experience of bipolar disorder, the performance illustrates her take on the feelings, thoughts and behavior that are part of the condition through the medium of circus itself..
Photos taken by Steve Eggleton.
Two lovely short films were made by people at www.thespace.org, as part of the Push Me Collection series, to illustrate how Stumble danceCircus pushed us, the performers, out of our comfort zone, to reach previously unattained goals in ‘Box of Frogs’.
November 4, 2012
Anywhere can be an office.
July 10, 2012
This hoop isolation film is the result of a short period of research and development that was supported by the Circus Space and the funding from Lab:Time – experiments in circus. Francesca Martello and I wanted to explore the possibilities of circus, and specifically hoop manipulation, on film. We originally started our R&D together with Lynn Scott and Helen Orford, with the idea that the piece would be made for film and on location. However, when Jackson’s Lane theatre gave Lab:Time winners the opportunity to perform their work in progress in a mixed bill of freshly created performances, we reoriented our focus towards creating a stage performance. I hope that we will be able to keep developing this work further, both for film and the stage. Special thanks to Jon Aaron Green, director and producer and Ben Green, editor of the film.